#Regal dobro guitar serial numbers how to#
#Regal dobro guitar serial numbers full#

Working at WillieвЂ™s American Guitars for the past 15 years, I have sold a lot of resos to folks. My dream is to get a wood body for open D for more melodic ballad types of songs.

I think the metal body lends itself better for that.

I keep my reso in open G with the sixth string tuned up to G. I lean more toward the latter these days.

#Regal dobro guitar serial numbers full#

Not a lot of single notes but more full chords with a great natural overdrive when I really want it to howl. Nice clean acoustic spider-cone вЂњfront-porchвЂќ tone for one line, another line through smaller amps got what we call the вЂњbitchy guitar.вЂќ Fuzzed out! IвЂ™m a pretty sloppy slide player. I used to split the signal when I played solo. Also knowing that I would stand out a bit better in a sea of female singer-songwriters that were starting to emerge in the mid-вЂ™90s, I went for style points. Because IвЂ™m an unconventional player (I take a righty and flip it upside down) and a somewhat lazy student, playing in open tunings worked great for me.

#Regal dobro guitar serial numbers how to#

She taught me how to play open tunings and slide and the IвЂ“IVвЂ“V language. It turned out to be the person who would become my mentor and teacher, Gabriela Sweet. It was what I heard in my head but I could barely play guitar. I was working at the Podium, a guitar shop in Minneapolis, and this sound came from the back one day. Her biggest influences on resonator are Chris Whitley, Gabriela Sweet, Charlie Parr, Andy Dee, Pat Donahue, and Ellen McIlwaineвЂ™s version of вЂњDown So Low,вЂќ though she also counts Bonnie Raitt, Ry Cooder, and Derrick Trucks as big influences on her slide playing. Maher, who fronts Molly Maher and her Disbelievers, is a fixture on the Twin Cities music scene, where she plays original Americana music, often on all kinds of guitars, including her 1938 Dobro/Regal вЂњAlahambraвЂќ Model 14 with DвЂ™Armond pickup. AG asked ten up-and-coming resonator players why they are drawn to these fascinating guitars and what aspiring reso players should do if they want to learn. Yet new generations of guitarists continue to be drawn to these dirty-sounding instruments. With great progress made in amplification, resos are no longer necessary for making acoustic guitars louder. The May issue includes a lesson on playing slide guitar, a special section on resonators, reviews of two new 12-string Taylors, and stories on Peter Frampton, Duke Robillard, and M. But in reality, cones and bridges often are mixed and matched on individual resonator guitars.ДЇor more ofВ AGвЂ™s newestВ stories, lessons, and gear reviews, pick up a copy today. National-style resos come in tri-cone (three small metal cones with a T-shaped bridge) or single-cone biscuit (one big cone), and Dobro-style resos come in a single inverted-cone outfitted with a spider bridge.

Resonators are either square-neck and played on the lap, or round-neck for playing more conventionally. Originally designed in the late 1920s to pump up the volume on acoustic guitars, resonators today are used to dirty up the blues, make a country slide-note moan, give some meatiness to a folk song, or add a little sizzle-and-fry to rock. They look like a vintage sci-fi creation, and in the hands of a Son House, Sister Rosetta Tharpe, Tampa Red, Taj Mahal, Bruce Cockburn, Keith Richards, or Duane Allman, resonators explode with the fuzzy crackle of a space rocket. Resonators may be the coolest instruments ever made: shiny metal acoustic guitars that look as loud as they sound, or wooden bodies with massive metal cones in the middle. From the May 2016 issue of Acoustic Guitar magazine.